All my 3D work

By chronological order

06  .  HALO INFINITE – CAMPAIGN CINEMATIC

Company : Axis Studios
Client :
343 Industries
Type : Short-film
Job Position : Lighting, Rendering & Compositing Artist (LRC)

Halo Infinite is a first-person shooter game developed by 343 Industries and published by Xbox Game Studios. This was one of the most challenging shots I’ve worked on, with 740 frames and a 360° camera movement going around the characters, it was definitely not easy to make the lighting work from every angle. I also had to do set dressing by adding extra FX around the scene.  

05  .  THE TALL GRASS – LOVE, DEATH & ROBOTS

Company : Axis Studios
Client :
Netflix / Blur
Type : Short-film
Job Position : Lighting, Rendering & Compositing Artist (LRC)

Netflix’s Love, Death, and Robots (LDR) Vol 2 is the second series of animated shorts, showcasing the work of multiple animation studios. The Tall Grass is the 5th episode in this volume. I had a blast working on this and I’m grateful to have been able to work under the vision of Simon Otto for this incredible project with such an unique look and artistic direction. 

04  .  KDA – MORE

Company : Axis Studios
Client :
Riot Games
Type : Short-film
Job Position : Lighting, Rendering & Compositing Artist (LRC)

KDA – MORE is the second music video from the virtual girl group sensations created by Riot Games. This was my first project at Axis Studio and it was an amazing project for me to learn the software Houdini and to get familiar with the studio’s workflow. I had a great experience working on this, the team was fantastic and very supportive throughout my first project in Axis Studios.

03  .  THE ONE AND ONLY IVAN  –  DISNEY+

Company : MPC Film
Client :
Disney
Type : Feature film
Job Position : Lighting Artist

The One and Only Ivan is a 2020 film directed by Thea Sharrock from an adaptation of the award-winning book by K. A. Applegate. It was my first VFX feature film experience and working for MPC has always been a goal of mine. I got to learn new software like Katana and Renderman but also the whole VFX workflow which was something new to me. I learned a lot in a short period of time and met very talented people.

02  .  PADDINGTON – NICKELODEON

Company : Blue Zoo Animation
Client :
Nickelodeon
Type : TV-series
Job Position : Lighting, Rendering & Compositing Artist (LRC)

The Adventures of Paddington is an animated television series by Jon Foster and James Lamont. The series currently airs internationally on Nickelodeon. I worked on two episodes of the show it was a really fun experience with a great team.

My shots :

01  .  ASTERIX – THE SECRET OF THE MAGIC POTION 

Company :  Mikros Animation
Production :
M6
Type : Feature film
Job Position : Modeling set Artist  & Compositing Artist

Asterix: The Secret of the Magic Potion is a 2018 French computer-animated adventure family comedy film co-directed by Alexandre Astier and Louis Clichy. This project has a particular place in my heart, as this was my first job in the industry post graduation. I got the opportunity to work in two departments: Modeling set and Compositing with incredible supervisors to whom I am grateful for their trust in me.

00  .  UN AMOUR DEUX BÊTES – GRADUATION FILM  

School :  Isart Digital Paris 
Type : Graduation Project
Job : Grooming, Texturing, Shading, Lookdev,
Procedural Environment, Lighting, rendering and compositing.

“Rahi, a little merchant, travels peacefully on the back of his large creature in the jungle. One day the creature meets for the first time a female of his own species. This marks the beginning of trouble for the two friends…”
Directed by : Jade AMORY, Pierre BAROUKH, Julie CONSTANTIN, William LIU, Tommy STIVE and Lili VILQUIN
Music and Sound Design by : Malik YAHI et Vincent BUCHER